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Russia’s interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the ‘Evil Empire’ of 20th American popular consciousness, images of Russia have more recently bifurcated along two streams: that of the impoverished refugee and that of the sinister mafia gang. Focusing on film as an engine of intercultural communication, this is the first book to explore mutual perceptions of the foreign Other in the cinema of Russia and the West during, and after, communism. The book’s structure reflects both sides of this fascinating dialogue: Part 1 covers Russian/Soviet cinematic representations of otherness, and Part 2 treats western representations of Russia and the Soviet Union. An extensive Introduction sets the dialogue in a theoretical context. The contributors include leading film scholars from the USA, Europe and Russia.
Ebook for Russia and its Other(s) on Film Screening Intercultural Dialogue is an fantastic research study overview that exceeds and past what is usually anticipated. The thorough building of this source, which integrates intellectual understandings with functional methods to test prep work, makes it an exceptionally helpful instrument for trainees. This manual, which was written by $_authors$, who are well-regarded academics in their corresponding fields, and released by $_publisher$ on $_publish_date$, is an vital resource for anyone that is functioning towards accomplishing achievement in Test bank, Solution manual.
Russia’s interactions with the West have been a perennial theme of Slavic Studies, and of Russian culture and politics. Likewise, representations of Russia have shaped the identities of many western cultures. No longer providing the ‘Evil Empire’ of 20
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