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Why did half the people on New Hanover, a small island north of New Guinea, vote for Lyndon Baines Johnson to be their ruler in 1964? Dorothy K. Billings believes that this sort of action_seen in New Guinea and other parts of Melanesia_is part of the ‘cargo cult’ phenomenon, or micronationalist movements which are principally regarded as responses to European colonialism. Based on thirty-five years of fieldwork and observation, Cargo Cult as Theater demonstrates how the ‘Johnson Cult,’ originally mocked and ridiculed by the outside world, should be seen as an ongoing political performance meant to consolidate local power and advance economic development. This fascinating study follows the changes in this community ritual, from the time of the white ‘master’ to post-colonial self-determination, and reveals the history of this people’s attempt to gain intellectual, moral, economic, and political control over their own lives.
Ebook for Cargo Cult as Theater: Political Performance in the Pacific is an remarkable research study guide that exceeds and past what is frequently expected. The precise building of this source, which combines intellectual understandings with functional methods to exam prep work, makes it an incredibly beneficial tool for trainees. This manual, which was written by $_authors$, that are well-regarded academics in their corresponding fields, and published by $_publisher$ on $_publish_date$, is an essential resource for anybody who is functioning towards achieving greatness in Test bank, Solution manual.
Why did half the people on New Hanover, a small island north of New Guinea, vote for Lyndon Baines Johnson to be their ruler in 1964? Dorothy K. Billings believes that this sort of action_seen in New Guinea and other parts of Melanesia_is part of the ‘car
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